The Film Stage
Bitter Christmas Review: Pedro Almodóvar Explores His Creative Process In Comforting Metafiction
Bitter Christmas announces that Pedro Almodóvar has entered his late era, returning …
The Film Stage
Locarno Review: The Illusion of an Everlasting Summer Captures a Vital Portrait of Life on the Pampas
While long established as a launch site for adventurous cinema, Locarno’s Filmmak…
The Film Stage
New to Streaming: Rose of Nevada, Romería, The Fence, Mother Mary & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Arthouse Sci-Fi, Francis Ford Coppola, Strangers on a Train & More
NYC Weekend Watch is our weekly round-up of repertory offerings. BAM Films by God…
The Film Stage
Dreams in Nightmares Review: Shatara Michelle Ford’s Sophomore Feature is a Cathartic Work of Healing and Beauty
Note: This review was originally published as part of our 2024 festival coverage. The…
The Film Stage
A Conspiracy of Jesus and Tech Unfurls In Trailer for Jack Auen and Kevin Walker’s Chronovisor
An immediate movie-of-the-year contender, Chronovisor has lost little of its luster …
The Film Stage
The Criterion Channel’s September Lineup Includes Neon Genesis Evangelion, Kiyoshi Kurosawa’s Penance, Abel Ferrara, Girl Bands & More
The Criterion Channel has long been a key source for streaming Japanese cinema. Those…
The Film Stage
First Trailer for Jordan Firstman’s Cannes Smash Club Kid
A common observation from this year’s Cannes Film Festival positioned sidebar titles …
The Film Stage
2026 Film Fest Knox Announces Tim Blake Nelson as Recipient of James Agee Prize
Film Fest Knox is still a new occurence, but one worth noting: the festival, just ent…
The Film Stage
64th New York Film Festival Adds Restored Films by Hou Hsiao-hsien, Powell & Pressburger, Ken Russell, Luchino Visconti & More
Following Main Slate, Spotlight, and Current lineup announcements , the final film se…
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