The Film Stage
First Trailer for Steven Soderbergh’s The Christophers Starring Michaela Coel and Ian McKellen
After two theatrical releases last year, the ever-prolific Steven Soderbergh is back …
The Film Stage
In the Blink of an Eye Review: Andrew Stanton’s Technofuturist Propaganda
Note: This review was originally published as part of our 2026 Sundance coverage. The…
The Film Stage
The Performances of Steve Jobs
Enjoying much-deserved appreciation for his formally bold return to the 28 Days Later…
The Film Stage
Teenage Sex and Death at Camp Miasma Trailer: Jane Schoenbrun Returns This Summer
After Jane Schoenbrun’s haunting, astounding second feature I Saw the TV Glow topped…
The Film Stage
Alison McAlpine In Conversation With Walter Murch on Her Oscar-Nominated Perfectly a Strangeness
Nominated for Best Documentary Short Film at the 98th Academy Awards, perfectly a str…
The Film Stage
Berlinale Review: Foreign Travel is a Rousing Ode to the Transformative Powers of Reading
No one moves abroad in Ted Fendt’s Foreign Travel ; people walk plenty—mostly arou…
The Film Stage
Berlinale Review: Yellow Letters Targets Authoritarianism with Timidity
Shortly before the 2025 edition of the Berlinale, incoming festival head Tricia Tuttl…
The Film Stage
Berlinale Review: Home Stories Tells an Ambitious If Uneven Intergenerational Tale
In Home Stories , a young woman from the town of Griez in East Germany is selected to…
The Film Stage
Revelations of Divine Love Trailer: Caroline Golum’s Acclaimed Medieval Tale Arrives This March
Premiering to acclaim at the 2025 FIDMarseille, Caroline Golum’s second feature Reve…
The Film Stage
Berlinale Review: Crocodile is a Choppy Yet Inspiring Portrait of Resourceful Filmmaking
The ever-increasing accessibility of filmmaking means that anyone with basic technolo…
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