The Film Stage
The Criterion Collection’s November Lineup Features Wild at Heart, Marie Antoinette, Sergei Parajanov, and François Truffaut on 4K
In an oh-so-convenient dovetailing with their bi-annual Barnes and Noble sale, the Cr…
The Film Stage
NYC Weekend Watch: Summer in Japan, Henry: Portrait of a Serial Killer, Lawrence of Arabia, Mysterious Skin & More
NYC Weekend Watch is our weekly round-up of repertory offerings. BAM Summer in Ja…
The Film Stage
New to Streaming: The Invite, Night Nurse, Gail Daughtry and the Celebrity Sex Pass & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
The Devils Trailer: Ken Russell’s Restored Director’s Cut Haunts Theaters This October
WB’s fresh Clockwork label will start on quite the promising note. Before debuting ne…
The Film Stage
The Bend in the River Review: Aching For What Was and May Never Come Again
Note: This review was originally published as part of our 2025 Telluride coverage. Th…
The Film Stage
Black Zombie Trailer Digs Up the Unsettling Origins of a Horror Staple
A selection at SXSW Film Festival 2026, Hot Docs 2026, Fantasia International Film Fe…
The Film Stage
Locarno Review: Lê Bảo’s Entrancing Hearing Stimulates the Senses
Lê Bảo’s Hearing opens in the drunk cacophony of a bar somewhere in Saigon, but …
The Film Stage
The End of Oak Street Review: David Robert Mitchell Makes Fun, Forgettable Return
The End of Oak Street opens with a rollicking gusto, Michael Giacchino’s assured hea…
The Film Stage
Léa Seydoux’s Life Unravels in First Trailer for Marie Kreutzer’s Gentle Monster
Following up Corsage , Marie Kreutzer returned this year with her Cannes premiere Gen…
The Film Stage
Between the Narrative and the Physical Reality of the Image: Rob Tregenza on Fast
When, a few years ago, I agreed to interview the filmmaker Rob Tregenza on the eve of…
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