The Film Stage
Exclusive Poster for Christian Petzold’s Miroirs No. 3, Arriving This March
One of the greatest directors working today, Christian Petzold is returning with anot…
The Film Stage
The 2026 Oscar-Nominated Live Action Short Films, Reviewed
Ahead of the Academy Awards, we’ve reviewed every short film in each category: Animat…
The Film Stage
Berlinale Review: Queen at Sea Sets Tom Courtenay and Juliette Binoche with a Thorny Moral Dilemma
Eleven years ago, Tom Courtenay arrived at the Berlinale with Andrew Haigh’s 45 Years…
The Film Stage
Watch a 2.5-Hour Conversation with Paul Thomas Anderson, Ryan Coogler, Josh Safdie, Guillermo del Toro, and Chloé Zhao
A welcome annual tradition, the Directors Guild of America gathered their nominees fo…
The Film Stage
Berlinale Review: Prosecution is a Propulsive Investigation Into Far-Right Violence
Last week, the jury president of the Berlin Film Festival claimed that this year’s…
The Film Stage
Berlinale Review: An Extraordinary Isabelle Huppert Dwarfs Everyone Else In Ulrike Ottinger’s Campy The Blood Countess
When I think about a quintessential Isabelle Huppert film, I like to defer to a large…
The Film Stage
Berlinale Review: Tristan Forever Highlights a Jaded Doctor’s Search for Purpose
There’s a melancholy to Tobias Nölle and Loran Bonnardot’s Tristan Forever that is c…
The Film Stage
Berlinale Review: Mouse Offers a Tender Companion After Loss
It’s the last day of junior high for Minnie (Katherine Mallen Kupferer) and her best …
The Film Stage
Berlinale Review: We Are All Strangers Channels Edward Yang to Kitschy But Compelling Ends
The new film from Anthony Chen takes a minute to find its rhythm. For the first hour …
The Film Stage
Berlinale Review: Alain Gomis’ Dao is a Riveting Family Saga
To belong to the diaspora is to inhabit a paradox: a state of in-betweenness, neit…
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