The Film Stage
BFI London Review: The Liberation Finds Carrie Coon Elevating a Clumsy Cult Drama
Nobody makes clumsier social allegories than Guy Nattiv. His first American effort, t…
The Film Stage
NYFF Review: Behemoth! Crescendos When Focused on the Music
It’s been fourteen years since screenwriter and occasional director Tony Gilroy made …
The Film Stage
BFI London Review: Ray Gunn Finds Brad Bird Back In Inventive, Joyous Form
The family-friendly noir pastiche is now just as much of a throwback as Who Framed Ro…
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NYFF Review: In Absurdist Comedy Everything Else is Noise, Women Fight to Be Heard
There’s a lot going on in the opening scene of Everything Else is Noise , but directo…
The Film Stage
New to Streaming: Teenage Sex and Death at Camp Miasma, Late Fame, Barrio Triste, Colony & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Hou Hsiao-hsien, Henry Jaglom, Claire Atherton, Southland Tales & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln …
The Film Stage
Soul Patrol Trailer: Sundance Winner Arrives This November
Winner of the Directing Award for U.S. Documentary at the Sundance Film Festival, J.M…
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Making Marie Antoinette Trailer: Eleanor Coppola Captures Her Daughter at Work
One of the great time capsules of the year is Making Marie Antoinette , which feature…
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NYFF Review: Artificial Takes an Unsettling Look at Our Dark Future
A few months after Amazon invested $50 billion in OpenAI, Amazon MGM dropped Luca Gua…
The Film Stage
The Social Reckoning Review: Aaron Sorkin’s Effective Thriller Can’t Stick the Landing
Aaron Sorkin is so pissed off about the Capitol siege on January 6 that he’s made a m…
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