The Film Stage
“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls
Alex Cox has made (reportedly) his final film: a Western adaptation of Nikolai Gogol’…
The Film Stage
First Trailer for Robert Eggers’ Werwulf Unleashes the Devil Within
Their record-breaking Obsession isn’t the only horror feature on Focus Features’ sla…
The Film Stage
New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
Remake Trailer: Ross McElwee Crafts the Most Heartbreaking Documentary of 2026
Best-known for his landmark reflexive documentary Sherman’s March , Ross McElwee has …
The Film Stage
NYC Weekend Watch: Elaine May, Guy Maddin, Vincente Minnelli, Law of Desire & More
NYC Weekend Watch is our weekly round-up of repertory offerings. BAM A 35mm-heavy…
The Film Stage
Bouchra Review: An Aesthetically Bold, Personal Animation
Note: This review was originally published as part of our 2025 TIFF coverage. The fil…
The Film Stage
In the Hand of Dante Review: A Frenzied, Flimsy Adventure for Oscar Isaac and Martin Scorsese
Note: This review was originally published as part of our 2025 Venice coverage. The f…
The Film Stage
Mare’s Nest Review: Ben Rivers Radiates an Inordinate, Contagious Curiosity for the Unknown
Note: This review was originally published as part of our 2025 Locarno coverage. The …
The Film Stage
U.S. Trailer for Hirokazu Koreeda’s Sheep in the Box Arrives Ahead of July Release
With the bevy of films NEON brought to Cannes Film Festival this year, it’s no surpri…
The Film Stage
“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled
In 1973, Variety declared John Waters’ breakthrough film Pink Flamingos “one of the…
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