The Film Stage
Cannes Review: In The Beloved, Javier Bardem and Victoria Luengo Elicit Chemistry In Confronting the Past
There is a certain pantheon of talented film directors, like Guido Anselmi and Fe…
The Film Stage
The Criterion Collection’s August Lineup Includes James Gray, Todd Haynes, and More
Criterion’s summer is more or less complete. As June and July prove fine months, Au…
The Film Stage
Jia Zhangke, Claire Denis, and Sam Raimi Set Next Features
A pair of international cinema’s greatest directors have confirmed their next feature…
The Film Stage
Cannes Review: Dominga Sotomayor’s La Perra Ditches Facile Metaphors for Allusive Mysteries
There’s a spot on the windswept island around which Dominga Sotomayor’s La Perra unf…
The Film Stage
Cannes Review: Clarissa Provides a Formally Adventurous Showcase For Sophie Okonedo
It might not have the fervent awards chatter that’s followed Sandra Hüller’s current …
The Film Stage
Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring
Little word that comes out of Cannes is likely to match the news of Kenneth Lonergan’…
The Film Stage
Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal
“Look into my eyes / can you see they’re open wide / would I lie to you?” Those lyric…
The Film Stage
Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch
It’s never wise to assume anything. Promotional materials doing the rounds before…
The Film Stage
NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln …
The Film Stage
New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
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