The Film Stage
Late Shift Review: A Highly Intense, Single-Minded Procedural
Leonie Benesch can’t catch a break. After being put through the wringer contending wi…
The Film Stage
Mad Bills to Pay Trailer: Joel Alfonso Vargas’ Sundance, Berlinale, and ND/NF Selection Opens in April
An impressive directorial debut and true New York tale, Joel Alfonso Vargas’ Mad Bill…
The Film Stage
Amnesiascope Presents Films by Raúl Ruiz and Dominik Graf on March 30 and 31
If on sabbatical, return with the undeniable. Such was the thinking in programming fi…
The Film Stage
April on the Criterion Channel Includes Out-of-Print Editions, Jacques Tourneur, Mary Bronstein, Trans Filmmakers & More
Criterion’s history is longer and more complicated than anybody quite realizes, leavi…
The Film Stage
SXSW Review: Their Town Is a Smart, Tender, and Somber Look at Teenhood
Thornton Wilder’s meta-play Our Town , a staple of high school productions and Englis…
The Film Stage
Amrum Trailer: Fatih Akin Reteams with Diane Kruger in WWII-Set Cannes Selection
Reuniting after 2017’s In the Fade , Fatih Akin and Diane Kruger’s WWII-set drama Amr…
The Film Stage
SXSW Review: Pizza Movie Is a Strange Dumb Trip That Understands the Assignment
As far as dumb comedies go, Pizza Movie is a masterclass in throwing everything at t…
The Film Stage
Two Seasons, Two Strangers Trailer: Sho Miyake’s Golden Leopard Winner Arrives This April
One of the great films of the year, Sho Miyake’s gorgeous, tranquil Two Seasons, Two …
The Film Stage
The Criterion Collection’s June Lineup Features John Waters, Jafar Panahi, Lav Diaz, Med Hondo, and More
Representing their busiest month in recent memory, June offers nine releases and elev…
The Film Stage
Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel
Take one step into the world of festivals and you’ll understand that making a movie i…
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