The Film Stage
Nathan Fielder’s Feature Directorial Debut You Can See Everything Will Arrive Next Month
It’s rare in today’s era of movie marketing oversaturation to have a genuine surprise…
The Film Stage
Léa Seydoux and Bill Murray to Lead Ursula Meier’s The Quiet Land
Co-productions are a nice way of uniting actors I wouldn’t expect were ever in the sa…
The Film Stage
Venice Review: Paul Schrader’s The Basics of Philosophy Is Too Inert to Catch Fire
A lone man sits at his desk reflecting on existence. Paul Schrader’s is an idiosyncra…
The Film Stage
Venice Review: My Undesirable Friends: Part II — Exile Is an Epic Continuation of Julia Loktev’s Fearless, Endlessly Compassionate Portrait
Day 1,645 of Russia’s full-scale war in Ukraine also brings us the world premiere…
The Film Stage
Venice Review: Lance Oppenheim’s Primetime Is a Thrilling Indictment
Robert Pattinson was born to play Chris Hansen. In the opening shot of Lance Oppe…
The Film Stage
Venice Review: Burgundy Is a Light and Stylish Journey Into the World of Wine
Six years after The Truffle Hunters , Michael Dweck and Gregory Kershaw have made a m…
The Film Stage
Venice Review: Wild Horse Nine Is a Ruthless CIA Spoof with Shades of Memento and SpongeBob Squarepants
The trailer for Wild Horse Nine looks like nothing more than a parody of Martin M…
The Film Stage
Teenage Wasteland Review: A High School Class That Held Up Truth to Power
Note: This review was originally published as part of our 2025 Sundance coverage. The…
The Film Stage
Paul Thomas Anderson Has Decided His Next Feature, Jonny Greenwood Confirms
While we recently learned we’ll be getting a surprise Paul Thomas Anderson film this …
The Film Stage
Once Upon a Time in Harlem Trailer: The Documentary of the Year Arrives This October
The only film to screen at Sundance, Cannes, Telluride, TIFF, NYFF, and London this y…
Social Plugin