The Film Stage
Teenage Sex and Death at Camp Miasma Trailer: Jane Schoenbrun Returns This Summer
After Jane Schoenbrun’s haunting, astounding second feature I Saw the TV Glow topped…
The Film Stage
Alison McAlpine In Conversation With Walter Murch on Her Oscar-Nominated Perfectly a Strangeness
Nominated for Best Documentary Short Film at the 98th Academy Awards, perfectly a str…
The Film Stage
Berlinale Review: Foreign Travel is a Rousing Ode to the Transformative Powers of Reading
No one moves abroad in Ted Fendt’s Foreign Travel ; people walk plenty—mostly arou…
The Film Stage
Berlinale Review: Yellow Letters Targets Authoritarianism with Timidity
Shortly before the 2025 edition of the Berlinale, incoming festival head Tricia Tuttl…
The Film Stage
Berlinale Review: Home Stories Tells an Ambitious If Uneven Intergenerational Tale
In Home Stories , a young woman from the town of Griez in East Germany is selected to…
The Film Stage
Revelations of Divine Love Trailer: Caroline Golum’s Acclaimed Medieval Tale Arrives This March
Premiering to acclaim at the 2025 FIDMarseille, Caroline Golum’s second feature Reve…
The Film Stage
Berlinale Review: Crocodile is a Choppy Yet Inspiring Portrait of Resourceful Filmmaking
The ever-increasing accessibility of filmmaking means that anyone with basic technolo…
The Film Stage
Berlinale Review: The Day She Returns Is One of Hong Sangsoo’s Most Elemental and Revelatory Gems
Sooner or later, conversations around the ever-growing oeuvre of Hong Sangsoo all …
The Film Stage
New to Streaming: Kill Bill: The Whole Bloody Affair, No Other Choice, 28 Years Later: The Bone Temple & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Raymond Depardon, A.I., The Loved One & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Cen…
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