The Film Stage
Venice Review: Florian Zeller’s Bunker Is Bad Melodrama and Curiously Anti-Art
The most interesting thing about Bunker is a moment of visual repetition. Early on, …
The Film Stage
Andrew Garfield’s Sam Altman Opens Pandora’s Box In First Teaser for Luca Guadagnino’s Artificial
Is any movie this year more compelling than the frayed story of Luca Guadagnino’s Art…
The Film Stage
Exclusive Trailer for Nicolás Pereda’s Berlinale, TIFF, and NYFF Selection Everything Else Is Noise
Following its acclaimed world premiere at the Berlin International Film Festival, Nic…
The Film Stage
Venice Review: It Will Happen Tonight Shows None of Nanni Moretti’s Typical Vitality and Inventiveness
Only briefly does Nanni Moretti grace the screen in It Will Happen Tonight . Not that…
The Film Stage
Nathan Fielder’s Feature Directorial Debut You Can See Everything Will Arrive Next Month
It’s rare in today’s era of movie marketing oversaturation to have a genuine surprise…
The Film Stage
Léa Seydoux and Bill Murray to Lead Ursula Meier’s The Quiet Land
Co-productions are a nice way of uniting actors I wouldn’t expect were ever in the sa…
The Film Stage
Venice Review: Paul Schrader’s The Basics of Philosophy Is Too Inert to Catch Fire
A lone man sits at his desk reflecting on existence. Paul Schrader’s is an idiosyncra…
The Film Stage
Venice Review: My Undesirable Friends: Part II — Exile Is an Epic Continuation of Julia Loktev’s Fearless, Endlessly Compassionate Portrait
Day 1,645 of Russia’s full-scale war in Ukraine also brings us the world premiere…
The Film Stage
Venice Review: Lance Oppenheim’s Primetime Is a Thrilling Indictment
Robert Pattinson was born to play Chris Hansen. In the opening shot of Lance Oppe…
The Film Stage
Venice Review: Burgundy Is a Light and Stylish Journey Into the World of Wine
Six years after The Truffle Hunters , Michael Dweck and Gregory Kershaw have made a m…
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