The Film Stage
How to Make a Killing Review: Glen Powell Goes on a Witty Spree with Little Payoff
John Patton Ford’s sophomore feature rides the wave of its clever lead from first sho…
The Film Stage
Exclusive Trailer for Berlinale Standout Mother’s Baby Introduces a Strange Mystery
Premiering in competition at Berlinale last year, Johanna Moder’s Mother’s Baby tell…
The Film Stage
March on the Criterion Channel Includes the Romanian New Wave, Ghost in the Shell, Who Killed Teddy Bear & More
The Criterion Channel’s March lineup isn’t lacking for director retrospectives, but t…
The Film Stage
Exclusive Poster for Christian Petzold’s Miroirs No. 3, Arriving This March
One of the greatest directors working today, Christian Petzold is returning with anot…
The Film Stage
The 2026 Oscar-Nominated Live Action Short Films, Reviewed
Ahead of the Academy Awards, we’ve reviewed every short film in each category: Animat…
The Film Stage
Berlinale Review: Queen at Sea Sets Tom Courtenay and Juliette Binoche with a Thorny Moral Dilemma
Eleven years ago, Tom Courtenay arrived at the Berlinale with Andrew Haigh’s 45 Years…
The Film Stage
Watch a 2.5-Hour Conversation with Paul Thomas Anderson, Ryan Coogler, Josh Safdie, Guillermo del Toro, and Chloé Zhao
A welcome annual tradition, the Directors Guild of America gathered their nominees fo…
The Film Stage
Berlinale Review: Prosecution is a Propulsive Investigation Into Far-Right Violence
Last week, the jury president of the Berlin Film Festival claimed that this year’s…
The Film Stage
Berlinale Review: An Extraordinary Isabelle Huppert Dwarfs Everyone Else In Ulrike Ottinger’s Campy The Blood Countess
When I think about a quintessential Isabelle Huppert film, I like to defer to a large…
The Film Stage
Berlinale Review: Tristan Forever Highlights a Jaded Doctor’s Search for Purpose
There’s a melancholy to Tobias Nölle and Loran Bonnardot’s Tristan Forever that is c…
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