The Film Stage
Yes Review: Nadav Lapid Stages a Furiously Provocative Satire of Israeli Genocide
Note: This review was originally published as part of our 2025 Cannes coverage. The f…
The Film Stage
Revelations of Divine Love Review: A Charmingly Evocative Medieval Tale with Modern Resonance
Medieval life happened so long ago that our natural inclination is to view it from an…
The Film Stage
Exclusive Poster for 2026 Edition of Los Angeles Festival of Movies, Taking Place April 9-12
One of the finest-curated festivals in America kicks off next month. The third editio…
The Film Stage
A Magnificent Life Review: Sylvain Chomet’s Saccharine Tribute to Marcel Pagnol
Note: This review was originally published as part of our 2025 Cannes coverage. The f…
The Film Stage
Alpha Review: A Half-Baked Misstep for Julia Ducournau
Note: This review was originally published as part of our 2025 Cannes coverage. The f…
The Film Stage
Olivier Assayas Plans Sequels to Something in the Air and Suspended Time
Unless you’re considering his perfect parodies in Clouds of Sils Maria and 2022’s Ir…
The Film Stage
SXSW Review: Paul Rudd and Nick Jonas Strike a Chord in John Carney’s Power Ballad
A film squarely in the wheelhouse of co-writer and director John Carney, Power Ballad…
The Film Stage
New to Streaming: Magellan, All That’s Left of You, Roofman & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Godard and Lewis, Hou Hsiao-hsien, The Man Who Shot Liberty Valance & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film Arch…
The Film Stage
Maurice Pialat’s Magnum Opus Gets Restored in New Trailer for La maison des bois
One of the most substantial restorations of the year is for Maurice Pialat’s seven-pa…
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