The Film Stage
Berlinale Review: Yellow Letters Targets Authoritarianism with Timidity
Shortly before the 2025 edition of the Berlinale, incoming festival head Tricia Tuttl…
The Film Stage
Berlinale Review: Home Stories Tells an Ambitious If Uneven Intergenerational Tale
In Home Stories , a young woman from the town of Griez in East Germany is selected to…
The Film Stage
Revelations of Divine Love Trailer: Caroline Golum’s Acclaimed Medieval Tale Arrives This March
Premiering to acclaim at the 2025 FIDMarseille, Caroline Golum’s second feature Reve…
The Film Stage
Berlinale Review: Crocodile is a Choppy Yet Inspiring Portrait of Resourceful Filmmaking
The ever-increasing accessibility of filmmaking means that anyone with basic technolo…
The Film Stage
Berlinale Review: The Day She Returns Is One of Hong Sangsoo’s Most Elemental and Revelatory Gems
Sooner or later, conversations around the ever-growing oeuvre of Hong Sangsoo all …
The Film Stage
New to Streaming: Kill Bill: The Whole Bloody Affair, No Other Choice, 28 Years Later: The Bone Temple & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Raymond Depardon, A.I., The Loved One & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Cen…
The Film Stage
How to Make a Killing Review: Glen Powell Goes on a Witty Spree with Little Payoff
John Patton Ford’s sophomore feature rides the wave of its clever lead from first sho…
The Film Stage
Exclusive Trailer for Berlinale Standout Mother’s Baby Introduces a Strange Mystery
Premiering in competition at Berlinale last year, Johanna Moder’s Mother’s Baby tell…
The Film Stage
March on the Criterion Channel Includes the Romanian New Wave, Ghost in the Shell, Who Killed Teddy Bear & More
The Criterion Channel’s March lineup isn’t lacking for director retrospectives, but t…
Social Plugin