The Film Stage
The Man Who Stole the Sun Trailer Heralds 4K Restoration of Kazuhiko Hasegawa’s Masterpiece
This is a big one. You’re also forgiven for knowing nothing of it. Nearly 50 years ag…
The Film Stage
2026 Pittsburgh Silent Film Festival Features Classics From 1926 Including Restorations and Live Accompaniment
Starting this weekend, the Pittsburgh Silent Film Festival will screen films from 192…
The Film Stage
A Little Concentrated Thought: Richard Linklater on Nouvelle Vague‘s Criterion Release, Cinephilia at Home, and Zabriskie Point
You would think that any filmmaker—no matter the Oscar nominations, an enviable abili…
The Film Stage
Exclusive Poster for Marine Atlan’s Astonishing Debut Feature La Gradiva
In a year of strong starts, none is more astonishing than La Gradiva , the directoria…
The Film Stage
The Further Mis-Adventures of Cliff Booth Trailer: David Fincher, Quentin Tarantino, and Brad Pitt Return to Hollywood
While Quentin Tarantino is doing everything possible not to direct his tenth and pote…
The Film Stage
TIFF Review: Alpha Gang Is a Silly, Charming, High-Concept Sci-Fi Comedy
Alpha Gang is an incredibly silly and charming film, the kind of high-concept comedy…
The Film Stage
TIFF Review: The Hummingbird Paints Fragrant Songs Is an Elegiac Portrait of an Indigenous Peruvian Artist
Seventy-five year-old Indigenous Peruvian artist Sara Flores came to fame late in lif…
The Film Stage
The Criterion Channel’s October Lineup Features Highway Horror, Possessions, Kiyoshi Kurosawa, The Last One for the Road & More
The Criterion Channel has long excelled in horror programming, making little surprise…
The Film Stage
TIFF Review: Anchors Aweigh Finds Profundity In Silliness
Perhaps you don’t know American writer, director, and comedian Matt Barats, nor one o…
The Film Stage
Resident Evil Review: Zach Cregger Crafts an Ideal Tribute to an Iconic Series
Resident Evil , as a game series, has always borrowed heavily from cinema, whether it…
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