The Film Stage
Posterized May 2026: Renoir, I Love Boosters, Backrooms & More
It’s a five-Friday month and those last two look a lot sparser than the first…
The Film Stage
This is Not a Drill Review: A Sharp Portrait of Climate Activists Who Still Fight
Note: This review was originally published as part of our 2025 Telluride coverage. Th…
The Film Stage
NYC Weekend Watch: Tony Leung, Bellissima, Whisper of the Heart & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln …
The Film Stage
Zach Cregger Returns in First Trailer for Resident Evil
Following Barbarian and last year’s Oscar-winning Weapons , Zach Cregger is back soo…
The Film Stage
Two Pianos Review: Another Rich, Thoughtful Drama from Arnaud Desplechin
Note: This review was originally published as part of our 2025 TIFF coverage. The fil…
The Film Stage
Deep Water Review: Renny Harlin Goes Back to Basics in Airplane Disaster Movie Meets Shark Thriller
Returning to shark-infested waters a quarter-century after Deep Blue Sea became a ca…
The Film Stage
“Objectivity Is Not Possible”: Lucrecia Martel on Crafting Her First Documentary
Lucrecia Martel is one of our great chroniclers of existing on stolen land. Through w…
The Film Stage
Prismatic Ground 2026 Forges a Vibrant, Accessible Path for Film Festivals
Prismatic Ground is a film festival I have been attending in-person for nearly three…
The Film Stage
Exclusive Trailer for James N. Kienitz Wilkins’ The Misconceived, Set for May Release
We’re thrilled to exclusively announce that Monument Releasing has acquired James N. …
The Film Stage
Hokum Review: Adam Scott Gets Trapped in Underwhelming Horror Feature
Anyone familiar with Irish filmmaker Damian McCarthy’s work already knows he’s one of…
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