The Film Stage
TIFF Review: The Hummingbird Paints Fragrant Songs Is an Elegiac Portrait of an Indigenous Peruvian Artist
Seventy-five year-old Indigenous Peruvian artist Sara Flores came to fame late in lif…
The Film Stage
The Criterion Channel’s October Lineup Features Highway Horror, Possessions, Kiyoshi Kurosawa, The Last One for the Road & More
The Criterion Channel has long excelled in horror programming, making little surprise…
The Film Stage
TIFF Review: Anchors Aweigh Finds Profundity In Silliness
Perhaps you don’t know American writer, director, and comedian Matt Barats, nor one o…
The Film Stage
Resident Evil Review: Zach Cregger Crafts an Ideal Tribute to an Iconic Series
Resident Evil , as a game series, has always borrowed heavily from cinema, whether it…
The Film Stage
TIFF Review: Jesse Eisenberg’s The Debut Takes a Smug Immersion Into Community Theater
Theater kids! Everyone knows the type. And more often than not, you’re annoyed by the…
The Film Stage
TIFF Review: Atonement Is an Ambitious But Misguided War on Terror Story
Dexter Filkins’ 2012 New Yorker article “ Atonement After Iraq ” tells the incredibl…
The Film Stage
The Criterion Collection’s December Lineup Includes Nashville and Lubitsch on 4K, Grizzly Man & More
As America’s 250th year comes to a close, Criterion takes a look back at the nation’s…
The Film Stage
TIFF Review: Simon Rex Gets Villainous In Sharp Yet Superficial God Bless You, Mr. Kopu
Does it feel like we’re stuck in VHS nostalgia? The New Zealand crime drama God Bless…
The Film Stage
Venice Review: The Burning Giants Forsakes Its Mysteries to Spin a Repetitive Yarn
Buried deep under the jungle in western Thailand where Phuttiphong Aroonpheng’s The B…
The Film Stage
Venice Review: Mariano Llinás’ Life of Jorge Luis Borges Is a Thorough, Innovative View of a Literary Genius
And so El Pampero Cine finally reach Jorge Luis Borges. The Argentine experimenta…
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