NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC Center
Films by John Woo, Tsui Hark, and Ringo Lam screen in Hong Kong Cinema Classics; The Lovers on the Bridge plays in a new restoration while In the Mood for Love and In the Mood for Love 2001 continue; Cure, Commando, Rosemary’s Baby, and The Decline of Western Civilization screen late.
Film Forum
Women In Action begins with films by John Cassavetes, Olivier Assayas, Nicholas Ray, King Hu, and more; the long-lost director’s cut of Joseph Cates’ Who Killed Teddy Bear? continues screening on 35mm; Roman Polanski’s An Officer and a Spy continues a belated run; a number of Akira Kurosawa’s most seminal films play.
Roxy Cinema
Paul Morrissey’s Mixed Blood plays on Friday and Saturday; Cassavetes’ Husbands shows on 35mm Sunday, while also brings Satyajit Ray’s The Music Room in a double-bill with Abbas Kiarostami’s The Chorus.
Film at Lincoln Center
In the Mood for Love and In the Mood for Love 2001 continue.
Museum of Modern Art
A Michael Caine retrospective continues.
Anthology Film Archives
Films by Aki Kaurismäki and Stephen Frears play in Occasionally Humane.
Museum of the Moving Image
Dogville and Nashville play in a series on Eddington inspirations; 2001 screens on 70 as part of a new series; Uncut Gems shows on Saturday.
Nitehawk Cinema
A print of Muriel’s Wedding plays early on Saturday, while Sunday brings a secret Hong Kong feature on 35mm.
Metrograph
Nashville, Requiem for a Dream, Natural Born Killers, and Hedwig and the Angry Inch play on 35mm; Olivier Assayas: Out of Time, Class Rules, Killer Films 30th Anniversary (listen to our interview), Topographies of Absence, Come as You Are, and In ‘Scope and Color continue.
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