The Film Stage
New to Streaming: Two Pianos, The Last One for the Road, Pressure, The Wizard of the Kremlin & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
Tribeca Review: Labrador: Autopsy of Silence Is a Heartbreaking, Nuanced Procedural Drama
Labrador: Autopsy of Silence is a meticulously crafted fixation on the nuances of si…
The Film Stage
Tribeca Review: Time Warp Captures Queer Joy Through New Take on Rocky Horror Picture Show
The Rocky Horror Picture Show can be described in hundreds of ways. Over the last fi…
The Film Stage
The Criterion Channel’s August Lineup Features Harry Dean Stanton, Jonathan Demme, The Prisoner & More
Perhaps I’ll need to burn my cinephile card if I suggest that the Criterion Channel’s…
The Film Stage
“I’ve Got No Idea How That Works”: Mark Jenkin on Rose of Nevada
There are some others making films like Mark Jenkin. His Bolex-shot, creaky-sounding …
The Film Stage
Leviticus Review: Accomplished Aussie Horror Feature Blends Paranoia and Love
Being queer—especially in this rapidly regressive age—means becoming acquainted w…
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Dreams in Nightmares Trailer: Shatara Michelle Ford’s Acclaimed Second Feature Arrives in August
After her impressive directorial debut Test Pattern , which was nominated for both Go…
The Film Stage
Shinya Tsukamoto Goes to War In Trailer for English-Language Vietnam Film Mr. Nelson, Did You Kill People?
50-something years into a seismic career, Shinya Tsukamoto has embarked upon the rare…
The Film Stage
Michael Sarnoski on His Favorite Robin Hood Films and the Character’s Violent Mythology
When you think of Robin Hood, what do you think of? Errol Flynn? Kevin Costner? Steal…
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