The Film Stage
New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries
When asked about formative movie experiences, Jane Schoenbrun has spoken of the m…
The Film Stage
First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire
Red Rooms was not Pascal Plante’s first film, but it sure suggested an arrival. Comi…
The Film Stage
The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian
Note: This review was originally published as part of our 2025 Venice coverage. The f…
The Film Stage
Catherine Breillat Sets Next Film With The German Cousin
The brilliant Catherine Breillat made her long-awaited return with Last Summer a few…
The Film Stage
Cannes Review: Kantemir Balagov’s Butterfly Jam Can’t Find a Rhythm
Without putting too fine a point on it, the 2026 Directors’ Fortnight in Cannes has k…
The Film Stage
“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin
There’s not much room nowadays for movies that are merely pretty good, even—especiall…
The Film Stage
Obsession Review: A Nasty, Humorous Horror Breakout
Even if he hadn’t recently landed the new Texas Chainsaw Massacre remake, you’ve li…
The Film Stage
KimStim Acquires Kiyoshi Kurosawa’s Serpent’s Path Remake for Summer Release
That every Kiyoshi Kurosawa project of late—some of which are 45 minutes long and ori…
The Film Stage
Magic Hour Review: Katie Aselton and Daveed Diggs Work Through Complex Emotions
Is it still a twist if the script tells you what’s happening around the 15-minute mar…
Social Plugin