The Film Stage
“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin
There’s not much room nowadays for movies that are merely pretty good, even—especiall…
The Film Stage
Obsession Review: A Nasty, Humorous Horror Breakout
Even if he hadn’t recently landed the new Texas Chainsaw Massacre remake, you’ve li…
The Film Stage
KimStim Acquires Kiyoshi Kurosawa’s Serpent’s Path Remake for Summer Release
That every Kiyoshi Kurosawa project of late—some of which are 45 minutes long and ori…
The Film Stage
Magic Hour Review: Katie Aselton and Daveed Diggs Work Through Complex Emotions
Is it still a twist if the script tells you what’s happening around the 15-minute mar…
The Film Stage
Nathan Silver Sets A Poet Remake as Next Feature
When we spoke to Nathan Silver in December, he made no illusions about having his fo…
The Film Stage
Richard Kelly Releasing “Gigantic” Debut Novel This Year
The wait for anything new from Richard Kelly is as long as it is bereft. Continually …
The Film Stage
Nostalgia for the Future Exclusive Trailer: Charlotte Rampling Travels Through Chris Marker’s World in Cannes Premiere
As part of the impressive Cannes Classics lineup this year, a new documentary examin…
The Film Stage
New to Streaming: The Drama, Send Help, Exit 8, and André Is an Idiot
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi
Loving modern cinema and admiring Tony Leung are essentially a one-to-one deal. One c…
The Film Stage
Our 20-Most Anticipated 2026 Cannes Film Festival Premieres
It’s the most exciting time of the year for any cinephile: the Cannes Film Festival i…
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