The Film Stage
The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase
Note: This review was originally published as part of our 2025 TIFF coverage. The fil…
The Film Stage
Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales
Isabelle Huppert’s performance in Ulrike Ottinger’s The Blood Countess , a vampire fa…
The Film Stage
The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember
Bouncing back after Don’t Worry Darling, Olivia Wilde’s chamber comedy The Invite was…
The Film Stage
13 Films to See at 2026 New Directors/New Films
After showcasing work from the likes of Chantal Akerman, Pedro Almodóvar, Bi Gan, Bon…
The Film Stage
Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us
When Faces of Death was originally released in 1978, the mere thought that you co…
The Film Stage
The Last One for the Road Trailer: Take an Inebriated Trip Through Italy
A far more recommended way to kick off the summer movie season than whatever sequel o…
The Film Stage
Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More
Is spring the new summer? Because it’s a pretty big month of movies. Mario. Michae…
The Film Stage
Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly
How often do you think about dolphins? It’s a topic worth turning over, which makes e…
The Film Stage
NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of the Movin…
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