The Film Stage
The B-Side Ep. 171 – Richard Linklater (with Ryland Aldrich)
Welcome to The B-Side! Here we talk about movie directors! Not the movies that made …
The Film Stage
New to Streaming: One Battle After Another, Nouvelle Vague, Roofman, Eddington & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
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NYC Weekend Watch: Corporate Thrillers, Avant-Garde Ads, Day of the Dead, Viridiana & More
NYC Weekend Watch is our weekly round-up of repertory offerings. BAM 35mm prints of…
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Sirat Review: Oliver Laxe’s Desert Trance Is a Grand, Adventurous Achievement
Note: This review was originally published as part of our 2025 Cannes coverage. Sirat…
The Film Stage
Jay Kelly Review: Noah Baumbach Makes His Fellini Film
Note: This review was originally published as part of our 2025 Telluride coverage. Ja…
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Left-Handed Girl Review: A Striking Drama Told Through a Child’s Eyes
Note: This review was originally published as part of our 2025 BFI London coverage. L…
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“Images Are Dead”: Oliver Laxe on Sirāt and Spirituality
As music thumps across the desert landscape of Morocco’s Atlas Mountains and ravers g…
The Film Stage
Mamoru Oshii’s Radical, Ethereal Angel’s Egg is an Anime Like No Other
In order to best explain Mamoru Oshii’s Angel’s Egg ––a stoic, ethereal vision quest …
The Film Stage
My Undesirable Friends: Part I – Last Air in Moscow Announced as Winner of the 2025 Indie Film Site Network Advocate Award
Each year at the Indie Film Site Network (IFSN), we’re honored to highlight independe…
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