The Film Stage
A Magnificent Life Review: Sylvain Chomet’s Saccharine Tribute to Marcel Pagnol
Note: This review was originally published as part of our 2025 Cannes coverage. The f…
The Film Stage
Alpha Review: A Half-Baked Misstep for Julia Ducournau
Note: This review was originally published as part of our 2025 Cannes coverage. The f…
The Film Stage
Olivier Assayas Plans Sequels to Something in the Air and Suspended Time
Unless you’re considering his perfect parodies in Clouds of Sils Maria and 2022’s Ir…
The Film Stage
SXSW Review: Paul Rudd and Nick Jonas Strike a Chord in John Carney’s Power Ballad
A film squarely in the wheelhouse of co-writer and director John Carney, Power Ballad…
The Film Stage
New to Streaming: Magellan, All That’s Left of You, Roofman & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Godard and Lewis, Hou Hsiao-hsien, The Man Who Shot Liberty Valance & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film Arch…
The Film Stage
Maurice Pialat’s Magnum Opus Gets Restored in New Trailer for La maison des bois
One of the most substantial restorations of the year is for Maurice Pialat’s seven-pa…
The Film Stage
Late Shift Review: A Highly Intense, Single-Minded Procedural
Leonie Benesch can’t catch a break. After being put through the wringer contending wi…
The Film Stage
Mad Bills to Pay Trailer: Joel Alfonso Vargas’ Sundance, Berlinale, and ND/NF Selection Opens in April
An impressive directorial debut and true New York tale, Joel Alfonso Vargas’ Mad Bill…
The Film Stage
Amnesiascope Presents Films by Raúl Ruiz and Dominik Graf on March 30 and 31
If on sabbatical, return with the undeniable. Such was the thinking in programming fi…
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