The Film Stage
BFI London Review: Ray Gunn Finds Brad Bird Back In Inventive, Joyous Form
The family-friendly noir pastiche is now just as much of a throwback as Who Framed Ro…
The Film Stage
NYFF Review: In Absurdist Comedy Everything Else is Noise, Women Fight to Be Heard
There’s a lot going on in the opening scene of Everything Else is Noise , but directo…
The Film Stage
New to Streaming: Teenage Sex and Death at Camp Miasma, Late Fame, Barrio Triste, Colony & More
Each week we highlight the noteworthy titles that have recently hit streaming platfor…
The Film Stage
NYC Weekend Watch: Hou Hsiao-hsien, Henry Jaglom, Claire Atherton, Southland Tales & More
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln …
The Film Stage
Soul Patrol Trailer: Sundance Winner Arrives This November
Winner of the Directing Award for U.S. Documentary at the Sundance Film Festival, J.M…
The Film Stage
Making Marie Antoinette Trailer: Eleanor Coppola Captures Her Daughter at Work
One of the great time capsules of the year is Making Marie Antoinette , which feature…
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NYFF Review: Artificial Takes an Unsettling Look at Our Dark Future
A few months after Amazon invested $50 billion in OpenAI, Amazon MGM dropped Luca Gua…
The Film Stage
The Social Reckoning Review: Aaron Sorkin’s Effective Thriller Can’t Stick the Landing
Aaron Sorkin is so pissed off about the Capitol siege on January 6 that he’s made a m…
The Film Stage
“More Relevant Every Day”: Julia Loktev on My Undesirable Friends: Part II — Exile
Julia Loktev’s 13-year absence since The Loneliest Planet was once a blemish on film…
The Film Stage
NYFF Review: With What Can’t Be Mentioned, Dan Sallitt Crafts a Comedic Sequel to His Incest Drama
About halfway through The Unspeakable Act, Dan Sallitt’s spare, somber, unflinching …
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